Atera brand refresh

I led an in-house brand refresh for Atera, starting with a comprehencive research into how the existing identity was used and where it needed to evolve.

The work included refining the illustrative language, creating a new photographic language, making a new avatar system, and a clearer color system.

I also developed AI-based work processes for the team, enabling faster, more consistent production and bringing every part of the brand together across campaigns and daily marketing assets.

My part

Research, Illustrative Language, Photographic language, Avatar system, Color system, AI work processes

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Intro

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I led a broad visual research phase covering around 60 companies, including 12 direct competitors. I divided the team into groups, each producing focused reports that became case studies, which were presented to management and formed the strategic basis for the brand refresh.

Anders brand wordmark in white placed on top of an image of a modern interior design.
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Illustrative Language

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The problem

Over time, Atera’s retro-futuristic illustration language became inconsistent, as the creative team produced work in widely varying styles due to time constraints and the absence of a unified direction and structured process.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

My work

I developed a cohesive illustration language and created a structured prompt and workflow for producing stylistically consistent illustrations, closer to the original branding, tailored to our target audience, and faster to execute.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
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Photographic Language

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The problem

The existing identity did not include a defined photographic language, leading the team to create improvised, inconsistent solutions whenever authentic imagery was needed.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

My work

I established principles for lighting, environments, wardrobe, composition, and casting, then created an AI workflow for producing authentic, diverse, and consistent photography.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
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New Avatars

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I also developed an avatar system with named characters and color-coded backgrounds, making it easier for the team to identify, select, and reuse the right avatar across different assets.

Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
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Color system

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The problem

The original palette included colors that were rarely used in practice or no longer reflected the brand’s values. It also lacked the supporting shades needed for different applications, limiting flexibility and consistency.

Anders brand wordmark in white placed on top of an image of a modern interior design.

My work

I removed unnecessary colors and expanded the remaining ones into balanced tonal ranges. The updated palette was tested across multiple applications and refined collaboratively until the team agreed on the final system.

Anders brand wordmark in white placed on top of an image of a modern interior design.
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Unified Assets

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Finally, I developed a flexible framework for bringing all these elements together into coherent compositions, enabling the team to create a wide range of assets while maintaining consistency and strong brand recognition.

Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic depicting a hexagonal cropped photo of an interior room design with grid lines along its borders.
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Interested in working together? Let’s talk.

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Ilya Yasinov

I.Yasinov@gmail.com

LinkedIn

portfolio

Atera brand refresh

I led an in-house brand refresh for Atera, starting with a comprehencive research into how the existing identity was used and where it needed to evolve.

The work included refining the illustrative language, creating a new photographic language, making a new avatar system, and a clearer color system.

I also developed AI-based work processes for the team, enabling faster, more consistent production and bringing every part of the brand together across campaigns and daily marketing assets.

My part

Research, Illustrative Language, Photographic language, Avatar system, Color system, AI work processes

Icons

Intro

Icons

I led a broad visual research phase covering around 60 companies, including 12 direct competitors. I divided the team into groups, each producing focused reports that became case studies, which were presented to management and formed the strategic basis for the brand refresh.

Anders brand wordmark in white placed on top of an image of a modern interior design.
Icons

Illustrative Language

Icons

The problem

Over time, Atera’s retro-futuristic illustration language became inconsistent, as the creative team produced work in widely varying styles due to time constraints and the absence of a unified direction and structured process.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

My work

I developed a cohesive illustration language and created a structured prompt and workflow for producing stylistically consistent illustrations, closer to the original branding, tailored to our target audience, and faster to execute.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
Icons

Photographic Language

Icons

The problem

The existing identity did not include a defined photographic language, leading the team to create improvised, inconsistent solutions whenever authentic imagery was needed.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

My work

I established principles for lighting, environments, wardrobe, composition, and casting, then created an AI workflow for producing authentic, diverse, and consistent photography.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
Icons

New Avatars

Icons

I also developed an avatar system with named characters and color-coded backgrounds, making it easier for the team to identify, select, and reuse the right avatar across different assets.

Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Icons

Color system

Icons

The problem

The original palette included colors that were rarely used in practice or no longer reflected the brand’s values. It also lacked the supporting shades needed for different applications, limiting flexibility and consistency.

Anders brand wordmark in white placed on top of an image of a modern interior design.

My work

I removed unnecessary colors and expanded the remaining ones into balanced tonal ranges. The updated palette was tested across multiple applications and refined collaboratively until the team agreed on the final system.

Anders brand wordmark in white placed on top of an image of a modern interior design.
Icons

Unified Assets

Icons

Finally, I developed a flexible framework for bringing all these elements together into coherent compositions, enabling the team to create a wide range of assets while maintaining consistency and strong brand recognition.

Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic depicting a hexagonal cropped photo of an interior room design with grid lines along its borders.
Icons

Interested in working together? Let’s talk.

Icons

Ilya Yasinov

CONTACT

I.Yasinov@gmail.com

SOCIAL

LinkedIn

Portfolio

Atera brand refresh

I led an in-house brand refresh for Atera, beginning with comprehensive research into how the existing identity was being used and how it needed to evolve.

The work included refining the illustrative language, creating a new photographic language, developing an avatar system, and establishing a clearer, more flexible color system.

I also introduced AI-based workflows for the team, streamlining the process, improving production consistency, and bringing every part of the brand together across campaigns and everyday marketing assets.

My part

Research, Illustrative Language, Photographic language, Avatar system, Color system, AI work processes

Icons

Intro

Icons

I led a broad visual research phase covering around 60 companies, including 12 direct competitors. I divided the team into groups, each producing focused reports that became case studies, which were presented to management and formed the strategic basis for the brand refresh.

Anders brand wordmark in white placed on top of an image of a modern interior design.
Icons

Illustrative Language

Icons

The problem

Over time, Atera’s retro-futuristic illustration language became inconsistent, as the creative team produced work in widely varying styles due to time constraints and the absence of a unified direction and structured process.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

My work

I developed a cohesive illustration language and created a structured prompt and workflow for producing stylistically consistent illustrations, closer to the original branding, tailored to our target audience, and faster to execute.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
Icons

Photographic Language

Icons

The problem

The existing identity did not include a defined photographic language, leading the team to create improvised, inconsistent solutions whenever authentic imagery was needed.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

My work

I established principles for lighting, environments, wardrobe, composition, and casting, then created an AI workflow for producing authentic, diverse, and consistent photography.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
Stationery design of letterhead and business cards for the company Anders on top of a blurred photo of a house interior.
Icons

New Avatars

Icons

I also developed an avatar system with named characters and color-coded backgrounds, making it easier for the team to identify, select, and reuse the right avatar across different assets.

Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Icons

Color system

Icons

The problem

The original palette included colors that were rarely used in practice or no longer reflected the brand’s values. It also lacked the supporting shades needed for different applications, limiting flexibility and consistency.

Anders brand wordmark in white placed on top of an image of a modern interior design.

My work

I removed unnecessary colors and expanded the remaining ones into balanced tonal ranges. The updated palette was tested across multiple applications and refined collaboratively until the team agreed on the final system.

Anders brand wordmark in white placed on top of an image of a modern interior design.
Icons

Unified Assets

Icons

Finally, I developed a flexible framework for bringing all these elements together into coherent compositions, enabling the team to create a wide range of assets while maintaining consistency and strong brand recognition.

Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic depicting a hexagonal cropped photo of an interior room design with grid lines along its borders.